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Foreword by Glenn Lord
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Introduction by Dale Hart
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"Always Comes Evening"
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"The Poets"
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"The Singer in the Mist"
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"Solomon Kane's Homecoming"
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"Futility"
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"The Song of the Bats"
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"The Moor Ghost"
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"Recompense"
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"The Hills of Kandahar"
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"Which Will Scarcely Be Understood"
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"Haunting Columns"
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"The Last Hour"
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"Ships"
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"The King and the Oak"
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"The Riders of Babylon"
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"Easter Island"
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"Moon Mockery"
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"Shadows on the Road"
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"The Soul Eater"
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"The Dream and Shadow"
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"The Ghost Kings"
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"Desert Dawn"
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"An Open Window"
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"Song of a Mad Minstrel"
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"The Gates of Nineveh"
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"Fragment"
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"The Harp of Alfred"
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"Remembrance"
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"Crete"
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"Forbidden Magic"
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"Black Chant Imperial"
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"A Song out of Midian"
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"Arkham"
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"Voices Waken Memory"
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"Babel"
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"Laughter in the Gulfs"
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"Song at Midnight"
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"The Ride of Falume"
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"Autumn"
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"Dead Man's Hate"
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"One Who Comes at Eventide"
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"To a Woman"
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"Emancipation"
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"Retribution"
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"Chant of the White Beard"
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"Rune"
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"The Road of Azrael"
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"Song of the Pict"
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"Prince and Beggar"
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"Hymn of Hatred"
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"Invective"
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"Men of the Shadows"
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"Babylon"
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"Niflheim"
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"The Heart of the Sea's Desire"
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"Laughter in the Gulfs"
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"A Song of the Don Cossacks"
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"The Gods of Easter Island"
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"Nisapur"
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"Moon Shame"
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"The Tempter"
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"Lines Written in the Realization"
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Verse from the stories
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from THE SCARLET CITADEL
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from POOL OF THE BLACK ONE
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from KINGS OF THE NIGHT
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from RED BLADES OF BLACK CATHAY
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from THE PHOENIX ON THE SWORD
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from QUEEN OF THE BLACK COAST
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Of the 636 copies printed, the first
536 were bound with the spines stamped in gilt with author's name and book's
title along the spine in the European style – bottom to top. When this
was discovered, the final 100 copies had their spines stamped in the American
style – top to bottom.
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Poems selected by Glenn Lord
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